Wednesday, March 14, 2012

Download Ebook Georgia O'Keeffe (Little People, BIG DREAMS)

Download Ebook Georgia O'Keeffe (Little People, BIG DREAMS)

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Georgia O'Keeffe (Little People, BIG DREAMS)

Georgia O'Keeffe (Little People, BIG DREAMS)


Georgia O'Keeffe (Little People, BIG DREAMS)


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Georgia O'Keeffe (Little People, BIG DREAMS)

Review

“One children’s books series trying to fight back… by telling the inspiring stories of women who overcame adversity and made history by pursuing their childhood dreams.”  - Toronto Star“We're obsessed with the ‘Little People, Big Dreams’ series”  - MotherMag “Informative text…smartly illustrated… Another batch of successful instalments in the series”  - School Library Journal SLJ“packs an emotional punch”  - Entertainment Weekly“The kind of books that adults will covet and collect as well… The language and structure is simple enough for young readers, while a biographical timeline at the end of each book offers greater historical complexity”  - Irish Times“Stirring encouragement for all 'little people' with 'big dreams.'”  - Kirkus

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About the Author

Mª Isabel Sánchez Vergara, born in Barcelona, Spain, is a writer and creative director in constant search of new concepts for children's books. Working for more than fifteen years for clients in top advertising agencies, her books combine creativity with learning, aiming to establish a new and fresh relationship between children and pop culture. Erica Salcedo is an illustrator based in Cuenca, Spain. She studied Fine Art at Castilla-La Mancha University, before earning a master's degree in graphic design and illustration from the University of Valencia. She has illustrated many books, including Kid Normal by Greg James. 

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Product details

Age Range: 5 - 8 years

Grade Level: Preschool - 3

Series: Little People, BIG DREAMS

Hardcover: 32 pages

Publisher: Lincoln Children's Books (June 5, 2018)

Language: English

ISBN-10: 1786031221

ISBN-13: 978-1786031228

Product Dimensions:

8 x 0.5 x 9.8 inches

Shipping Weight: 12 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#24,877 in Books (See Top 100 in Books)

This book series will last your child for years. It not only has the story presented in a way that your little one will love for you to read it to them over and over again, it also has a section in the back that is more of a complete historic story for you and your little one as they get a bit older.

There were no replicas of her paintings or flowers that inspired her art. I found a painting of hers and copied it off on my computer in Black and White so that my granddaughter would know what her art looks like and she can color it herself.

Love this book and so does my little one

New in the Little People, Big Dreams series, discover the incredible life of Georgia O'Keeffe. The text and illustrations show Georgia as a child standing apart from her six siblings in childhood, not running and playing, but observing the beauty of nature. The author, Isabel Sanchez Vegara’s makes the point that one of O’Keeffe’s objectives as an artist was to make people notice the little things that they might be too busy to notice otherwise. This is a child friendly biography that shows a young woman striving to achieve her dream. My biggest disappointment was that none of her artwork was shown or depicted in the book, not even at the back as an appendix. I did however, immediately go online and find websites containing many of her beautiful works of art. This book could be used to teach young children how to write a biography, show that it is important to have a dream and strive to achieve it as well as to introduce this artist and her works, imparting just enough information to get someone curious to investigate further. A good book for a school library. The publisher generously provided me with a copy of this book via netgalley.

'Georgia O'Keeffe' by Mª Isabel Sánchez Vegara with illustrations by Erica Salcedo is part of the Little People, Big Dreams series and tells the story of a famous painter.Starting out when she was small, Georgia O'Keeffe viewed the world differently than others. She liked to sketch the world around her while other children played. She declared early on that she would be a painter. When she moved to the city, she wanted others to notice simple things like flowers, so she painted them closely. In her later life, she moved to New Mexico.I liked this story and it's illustrations. I especially like that the illustrator didn't try to imitate O'Keeffe's art. I think this gives the reader an opportunity to show the child some examples of the real work as part of the reading. The story is told simply and the book ends with a brief biography with some real photos of Georgia O'Keeffe.I received a review copy of this ebook from Frances Lincoln Children's Books, Quarto Publishing Group, and NetGalley in exchange for an honest review. Thank you for allowing me to review this ebook.

I have to say I absolutely adore the little people, big dreams picture book collection. So when I got a chance to read a new addition, I jumped at it. Georgia O’Keefe is not someone I knew before reading this cute little book. It was a fun way to realize who she was. At a very young age, Georgia was inspired to draw not what she saw but what she felt. She found beauty in simplicity. She also found beauty in various places and cities, from Mexico to New York.This story encourages young children to follow their passions and find their own path on their adventure through life. The colors in this one are so bold! The book's artwork is as awesome as ever.Disclaimer: I received this book from NetGalley in exchange for an honest review.

This is an excellent book to give a brief overview of a successful female artist to interest a child. The illustrations of O'Keeffe's life are really fun and it gives a good summary without going into too much detail. It is a great way to introduce O'Keeffe's life too a child and short enough to keep them interested.What I did find a little disappointing was that there were no pictures of O'Keeffe's work. That would have been a fun way for parent and child to talk about the actual art and to guess as to what they were looking at.Thanks so much to Netgalley, the publishers, and the author for providing me with a copy for an honest review.

I adore this series which tells the stories of women of many talents. The books are short but detailed and factual with appealing illustrations. Georgia comes to life as a young girl who loves art and moves away from home to become an artist. Her love of city architecture, the appeal of looking at things up close and her deep appreciation for the southwest all shine through. Plus, the reader learns about Alfred Stieglitz. A great series for parents and children to share. These books provide role models for dreaming children.

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Monday, March 12, 2012

Get Free Ebook The Experience of God: Being, Consciousness, Bliss, by David Bentley Hart

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The Experience of God: Being, Consciousness, Bliss, by David Bentley Hart

The Experience of God: Being, Consciousness, Bliss, by David Bentley Hart


The Experience of God: Being, Consciousness, Bliss, by David Bentley Hart


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The Experience of God: Being, Consciousness, Bliss, by David Bentley Hart

Review

"Hart marshals powerful historical evidence and philosophical argument to suggest that atheists—if they want to attack the opposition's strongest case—badly need to up their game."—Oliver Burkeman, The Guardian". . . there is something evangelical about this study: it is at once both the most valuable discussion of the doctrine of God to have appeared for decades, and a witty, often mordant, defence of Christian belief. . . . The Experience of God is still an outstanding addition to the literature on God, not least for its survey of so many of the world’s great faiths. It is also a fine piece of work of Christian apologetics, and a major contribution to debate on science and religion."—Andrew Davison, Times Literary Supplement"Hart . . . recalls believers of all faiths to the best of their traditions, challenges unbelievers to examine their own metaphysical presuppositions, and does these with tremendous gusto. . . . A necessary book."—Michael Robbins, Commonweal"Bracing and eloquent . . . fans of Hart’s winsome prose will not be disappointed . . . a fine work."—Edward T. Oakes, S.J., National Review"Stunning . . . bracing and bold. . . . For provoking deep thought about the profoundest human questions, and for taking an intelligent stand in defense of faith. . . . Hart deserves the gratitude of a large and appreciative audience."—Damon Linker, The Week"A thoroughly entertaining and engaging read. It’s difficult to convey to those who are unacquainted with Hart’s writing the sheer exuberance of his prose and the bite to his wit."—Ryan Marr, Catholic Books Review"Impressive."—David Gibson, Religion News Service"Hart is a phenomenally gifted thinker who recalls believers of all faiths to the best of their traditions, challenges unbelievers to examine their own metaphysical presuppositions, and does these with tremendous gusto. . . . A necessary book."—Michael Robbins, Commonweal"Magnificent. . . . Massively learned and gorgeously written, The Experience of God should entirely transform contemporary debates concerning the validity of belief in the divine."—Mark Anthony Signorelli, University Bookman"Creative and engaging . . . a stunning and provocative achievement."—Kenneth Oakes, Reformation 21"A classic of Christian apologetics."—Francesca Aran Murphy, First Things"Hart is as skilled a rhetorician as he is a theologian, and is able to deliver a punchy verbal image of the God who transcends all images."—Francesca Aran Murphy, First Things"[Hart] retrieves and celebrates the classic Christian understanding of God . . . [with] rigorous logic and a caustic style. . . . His elegant prose and witty invective bring Evelyn Waugh to mind. . . . Hart’s exuberant writing unmasks the false pretensions of secularism."—Sidney Callahan, Commonweal"David Hart can always be relied on to offer a perspective on Christian faith that is both profound and unexpected. In this masterpiece of quiet intellectual and spiritual passion, he magnificently sets the record straight as to what sort of God Christians believe in and why."—Rowan Williams, University of Cambridge"David Hart’s new book is nothing less than astounding. He is liberal, conservative, radical, theological, philosophical, and historical all at the same time – that is his genius. There is no American writing on religion as intelligently, bravely, and originally as Hart."—Conor Cunningham, University of Nottingham"David Bentley Hart’s new book is a feast- stylish and substantial. Bringing together Sanskritic analyses of God’s being with Latin and Greek and Arabic ones, this is a considerable achievement by one of the most distinctive voices in contemporary theology."—Paul J. Griffiths, Duke Divinity School"Writing at a high philosophical level with a sharp sense of humor, Hart argues for an ecumenical Theism. Devastatingly accurate, imaginative, and immensely readable, this is David Bentley Hart’s best book."—Francesca Murphy, University of Notre Dame"Magnificent . . . a book unlike anything done in recent times and one that only Hart could write."—Robert Louis Wilken

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About the Author

David Bentley Hart is an Eastern Orthodox scholar of religion, philosopher, writer, and cultural commentator.

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Product details

Paperback: 376 pages

Publisher: Yale University Press (September 30, 2014)

Language: English

ISBN-10: 0300209355

ISBN-13: 978-0300209358

Product Dimensions:

5.5 x 1 x 8 inches

Shipping Weight: 12.8 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

101 customer reviews

Amazon Best Sellers Rank:

#29,945 in Books (See Top 100 in Books)

So far I'm loving this book. It's philosophical but not so deep I can't follow it. If you're not into that sort of thing you probably won't like it, but it's great for me. Very enlightening. I love Hart's use of language. Such beautiful word pictures. Really, even if you couldn't follow the train of thought, it's lovely to read if only for the poetic visuals.

DBH has written nothing new here... and that is exactly the point. The whole premise of the book is not that we have some new evidence or philosophy that addresses the modern era, but that the modern era has been impoverished by the loss of ancient wisdom. DBH essentially pulls or stretches wisdom from the ancient past and explains not only how it is relevant, but how it is key to understanding the most fundamental question of history. DBH makes the case not that the popular atheists have the wrong answers, but that the answers they give aren't even relevant.The quote on the front of the book says "A necessary book." This is especially true for those of us (myself included) who are Protestant Christians. While I believe that Protestantism has been a beneficial thing, I also think that sometimes we do not give the ancients sufficient credit. The ideas presented in this book should be taught in every Sunday School. I think there might be fewer people leaving the faith in University if we did.One thing I might add, however, is that for those who do not have a background in Philosophy there are concepts in this book that might seem difficult, or odd. In particular how DBH uses causality in some of his discussions. If you do not understand those concepts I would recommend reading Ed Feser's book "The Last Superstition" first. He gives a good primer on Plato, Aristotle, and Aquinas that can set your foundation as such that DBH makes more sense.There are only two issues I have with the book.The first is that he does to Intelligent Design what most people who are opposed to Intelligent Design do; misrepresent it or misunderstand it. I find that unfortunate because, while I believe DBH is correct in stating that Intelligent Design is insufficient compared to ancient philosophy to address the question of the Absolute, most ID proponents would have no problem integrating DBH's philosophy into their worldview. And it seems probable to me that many actually do. ID is not simply about probability and is much richer than it is often caricatured.The second issue is that there is no index entry for "Dolphin, coffee drinking"

My general preamble to Amazon reviews these days starts the same way: I have fallen out of the habit of writing reviews because I think to do a review properly takes the time and energy at this moment in my education I would prefer be spent reading. Nonetheless both the excellence of this book and what in my humble opinion is the poorness of another review, have momentarily called me back. It is of course anyone's right to give a one-star review to a book--even a book I love; in doing so however one would hope cogent reasons other than "I didn't understand it" or vague incriminations of association with a journal one apparently dislikes, would be more than forthcoming. Sadly, such was not the case. That said, I can assure you that my "five-star" rating is not merely serving as a countervalence to the one-star, it is my genuine opinion of the book that would have been given either way. But now that the throat-clearing is done, lets get down to business.Long story short: if you have read Hart and enjoyed his learnedness and witticism in the past, buy this book. If you haven't read Hart but are intrigued: this, or Atheist Delusions, are the places to start. In short: buy this book. Read it, Enjoy it. Pop some popcorn and wait for the fireworks. There really is no second guessing (especially at the affordable price). I was initially expecting something of a sequel to Beauty of the Infinite (which I still consider my favorite of Hart's books, despite its difficulty) but really for those interested I would consider this more akin to Atheist Delusions than anything. Much like Hart taking great pleasures dismantling many of our august myths regarding Christian history, here Hart takes aim at much of the tosh that passes for "talk about God," in the modern arena--particularly in the "God debates" between Fundamentalists and New-Atheists of all sorts. If you were like me, and were confused by the description of the book (Sanskrit? Hinduism? What is going on?) Hart attempts to dismantle--in classical Hart style--all these poor imitations of the Almighty by marshaling the resources of the "Classical theistic traditions" (note the plural, Hart includes Judaism, Islam, several forms of Hinduism, and others alongside Christianity). Here Hart thus takes an interesting--and perhaps controversial, for those of us still riding the avalanche of trinitarian scholarship of the last thirty years--approach by noting many of the conceptual similarities between these traditions and their theological and philosophical attempts to come to a "rational" picture of God. Thus Hart explicitly marshals the language of Thomas (which I'm sure many will recognize from Rahner's criticism of it): "There is an old Scholastic distinction between religious treatises written 'De Deo Uno' [on the one God] and 'de Deo Trino' [on the Triune God]..between, that is, those that are 'about the One God' known to persons of various faiths and philosophies, and those that are about the 'Trinitarian God' of Christian doctrine. I want to distinguish in a similar way between, on the one hand, metaphysical or philosophical descriptions of God and, on the other, dogmatic or confessional descriptions, and confine myself to the former." (4)In doing so, Hart opens with the wonderful line "this is either an extremely ambitious book, or an extremely unambitious book." Which is to to say the goal of the book is such: "My intention," says Hart, "is simply to offer a definition of the word 'God' or of its equivalents in other tongues, and to do so in fairly slavish obedience to the classical definitions of the divine found in the theological and philosophical schools of most of the major religious traditions." As such, Hart wants to clarify just what this "God" is that we should, or should not believe in. He organizes this task around three themes familiar to anyone who has read the subheading to the book: Being, Consciousness, Bliss. Which is to say, how these "moments" or "concepts" implicate, and are implicated by, God: (taking some limited examples from the chapters) our Being as contingency implying an Ultimate non-Contingent, our conscious orientations to the world presupposing in every mundane thought, act, and supposition a reference to the infinite, and indeed a saturation by it--or that the mind and reality should be compatible with each other at all, and (to those familiar with Hart's work on Gregory of Nyssa this will sound familiar) our "bliss" or the ecstatic moments of rapture and joy, our "stretching out" or epektasis into infinity. Thus Hart provides three basic reasons for these terms: 1.) They more or less adequately summarize three concepts by which classical theism represented God (here those with Trinitarian hesitation to Hart's "separation of Treatises" will be relieved to note Hart's extensive talk of the Cappadocians, Augustine, Maximus the Confessor, and Bonaventure's concept of God as Love in Trinitarian form, a la Beauty of the Infinite. Hart has not strayed from his roots) 2.) Represent how humankind's relationship to God can be summarized by concepts and 3.) These three "moments" represent that which, it seems to Hart (quite rightly, I think) cannot be "metaphysically accounted for" by assuming metaphysical naturalism (42-45).Thus, following Beauty of the Infinite's discourse of the "beautiful rhetoric" of Theistic discourse's ability to "illuminate existence," there is here a limited apologetic purpose; Hart repeatedly affirms that he is not attempting to "prove" God, yet he also frequently repeats that authentic theology and apologetics have a fuzzy line, and that part of the task of unburdening us of idols and caricatures of God is also to bring forth the true power of the theistic tradition's actual "picture of God" (for lack of a better term) and how it represents a rationally, emotionally, and aesthetically robust "explanation" (again, for lack of a better term) of reality. This is, of course, not "God-of-the Gaps" here, where God appears in spaces allowed by the aporia of some natural mechanism: "All the classical theological arguments regarding the order of the world" in fact "assume just the opposite: that God's creative power can be seen in the rational coherence of nature as a perfect whole; that the universe was not simply a factitious product of a supreme intellect but the unfolding of the omnipresent divine wisdom or logos." (38)It would be difficult to summarize further without simply spoiling the book, but I will end with a few anecdotal observations of my own. The first is that one of the great surprises of the book is its readability. Atheist Delusions was of course quite readable, but this book represents Hart at his most "purified" and understandable (contra another reviewer, in my opinion); he is of course classic Hart (thus there are still flourishes that will make one reach for the dictionary), but classic Hart, I might say, doing his best Chesterton impression. His lucidness here is uncanny, as his ability to calmly explain and lay out themes one may already have familiarity with. There are--at least there was for me--many "wow" moments when Hart shows you something you have been looking at but did not quite recognize you saw. This is also, in my opinion, Hart's funniest book, with Hart's typically penetrating observation producing (at least for me) some actual laugh-out-loud moments. There is for example (I won't ruin it) a particularly great moment where Hart is tearing into analytic theology by telling a brief story of a coffee-loving dolphin; or there are great one-liners like "I am enough of a romantic to believe that if something is worth being rude about, it it worth understanding as well." Other surprises abound. For example, Hart takes on analytic theology repeatedly (though he is quite respectful of those like Alvin Plantinga, he is almost palpably frustrated by others), and I for one was quite surprised with Hart's extensive engagement with evolutionary and cognitive science literature (some of Hart's book reads very similar to his friend Conor Cunningham's book Darwin's Pious Idea). These are fun new territories to watch Hart turn his immense talents and intellect toward. Further, if I had a complaint about Atheist Delusions it was that Hart, despite his obviously immense learning, is often coy about his sources. I do not doubt the veracity of his claims, but for those like myself who like to hunt down new avenues of reading, the sparse annotations and bibliography were irritating. Here, Hart does follow much the same formula, with very few endnotes trailing his oceans of prose. However he adds a wonderful (and surprisingly fun to read) "Bibliographic Postscript" which is a sort of annotated bibliography (343-350), but reads more like one is having coffee with Hart and he is giving his opinion on sources used, and others which should be read by those interested.But enough of my review, go start reading. Get lost in Hart's beautiful prose and wonderful mind. Even if you end up disagreeing with everything he wrote, I think you will have at least left the encounter having learned quite a bit.

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Friday, March 9, 2012

Download PDF The Bestseller Code: Anatomy of the Blockbuster Novel, by Jodie Archer Matthew L. Jockers

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The Bestseller Code: Anatomy of the Blockbuster Novel, by Jodie Archer Matthew L. Jockers

The Bestseller Code: Anatomy of the Blockbuster Novel, by Jodie Archer Matthew L. Jockers


The Bestseller Code: Anatomy of the Blockbuster Novel, by Jodie Archer Matthew L. Jockers


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The Bestseller Code: Anatomy of the Blockbuster Novel, by Jodie Archer Matthew L. Jockers

Review

"Non-formulaic, eye-opening, deeply-researched ― and really worth your time."― GQ "A thought-provoking and interesting book." ― The Financial Times"Reveals the diverse directions in which popular fiction may be taken. . . the bestseller-ometer may find its most noble application as a democratizing force" ― The Atlantic"[T]his is a delightful book to read. I would recommend it as both an entertaining and educational read for anybody interested in the business of books." ―Digital Book World Daily"This interesting little tome shares some of the Bookputer’s insights with us, just in case we want to become author-millionaires too. And who doesn’t? . . . Fascinating." ― The Times Review"Aspiring novelists who thumb through this volume will find plenty to think about. . . [T]his book actually represents an opportunity for literary scholars." ― Public Books"Archer is not some Silicon Valley whizz-kid looking to reduce the novel to 0s and 1s, nor is she a pretentious academic coming over the hills to sling around jargon about middlebrow novels. . . [She] is smart, savvy and full of ideas." ―The Times of London"A laboratory is a more compelling setting than a church." ― The Wall Street Journal, which named The Bestseller Code one of the most-anticipated books of Fall 2016"[The] claims are eye-grabbing. . . [and] also highly plausible." ―The Spectator"Archer and Jockers “are ‘literature-friendly’ and want good books to succeed."―Wired"When a story captures the imagination of millions, that's magic. Can you qualify magic? Archer and Jockers just may have done so." ―Sylvia Day, New York Times bestselling author"The Bestseller Code excited me, scared me, and generally blew my mind. Archer and Jockers have built a reading robot that can teach readers, writers, and publishers a great deal about how popular fiction works. This is a pioneering work in a new science of storytelling." ―Jonathan Gottschall, author of The Storytelling Animal: How Stories Make Us Human. "Archer and Jockers take an astonishing insight into the DNA of bestsellers and turn it into a gripping page-turner about how we read. Truly remarkable!" ―Viktor Mayer-Schönberger, co-author of Big Data and professor at Oxford"May revolutionize the publishing industry." ―The Guardian"The Bestseller Code is an intriguing read and its analysis of what makes a plot tick and how readers are grabbed is compelling."―Literary Review

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About the Author

JODIE ARCHER bought and edited books for Penguin UK before decamping for the doctoral program in English at Stanford University. After earning her Ph.D., she worked at Apple as their research lead on literature and has since consulted with many writers and businesses about literary success. She is now a full-time writer, coauthoring The Bestseller Code with Matthew L. Jockers.MATTHEW L. JOCKERS is the Susan J. Rosowski Associate Professor of English at the University of Nebraska-Lincoln, where he teaches and directs the Nebraska Literary Lab. His text-mining research has been profiled in the New York Times, The LA Review of Books, The Sunday Times of London, and more. Matthew is the author of Macroanalysis: Digital Methods and Literary History and coauthor of The Bestseller Code with Jodie Archer.

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Product details

Paperback: 256 pages

Publisher: St. Martin's Griffin; Reprint edition (October 10, 2017)

Language: English

ISBN-10: 9781250088758

ISBN-13: 978-1250088758

ASIN: 1250088755

Product Dimensions:

5.5 x 0.7 x 8.2 inches

Shipping Weight: 8 ounces (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

74 customer reviews

Amazon Best Sellers Rank:

#262,912 in Books (See Top 100 in Books)

First, let me explain what this book is, and is not. This is not, as other reviewers have pointed out, a how-to guide on writing your own bestseller. What it is is a compilation of empirical data and analyses of the data gathered through a computational algorithm that were fed rules to look for in bestsellers. The program revealed latent patterns in the sample of books used for this research, then those characteristics were used to assess similarities among the bestsellers.In laying out the elements of a bestseller, one of the phenomena this book dissects, and dives into, is something that's been begging an explanation for a little while. The question is mystifying, as it is culturally relevant, socially significant, and just plain flummoxing to a person like me who is not in the know. It is this: why has Fifty Shades of Grey book series made such a colossal wave and became a part of the lexicon among readers around the world? Why is the dang thing so popular?Virtually everyone who has read the books, even those who are in the 'like' camp, admit that they fall short on many accepted guidelines: style, prose, characters, plot, etc. They even defy the general rule (as compiled and presented by the authors here) among bestsellers: books with explicit sex do not get on the NYT list.And yet, when they put E.L. James' popular book through their machine reading program, it scored a high mark that put it comfortably in the bestseller category. Just as a point of reference, their computer reader picked two authors (from their pool of 5,000 books analyzed for their research) as the most emblematic bestselling authors: Danielle Steel and John Grisham. Not a huge surprise there. To its credit, the computer definitely seems to have picked correctly. These are two of the most hugely popular, cash-making authors working today. So how does that explain this Grey fellow?It turns out, Fifty Shades does ultimately manage the golden balance of what makes it a bestseller. Very broadly, these elements are: fewer topics covered (more focused), and human closeness (emotional relevance to readers -- relatability). There are other elements, but these are the key ones from what I gathered.This is a short, educational, and fun book to read that really hit it on the money for me. I have often been confounded by looking at the bestsellers lists: why that book? Oh my god, I cannot believe people are actually buying this book? And how many has that book sold? So I've been interested in finding out what the general, mainstream readers are looking for in these books.Lastly, another thing I found interesting is the title of the book that scored the perfect 100% by the computer program. *The* book that balances all aspects of the bestseller attributes just right to achieve this feat. I have yet to read the book, but I'm curious now to read it to see how captivating it will be.After reading this book I feel relatively satisfied with their explanations. And just the fact these authors spared me from reading 'Fifty Shades of Grey' to try to make myself understand its phenomenon, makes reading this book worth it.

This is a fascinating look at the fabric of a bestseller. While all writers are told to read the bestsellers and look for patterns of why the books work, these authors actually had computers analyze thousands of non-bestsellers and bestsellers for thousands of factors and saw the actual patterns of what made something more or less likely to be a bestseller. If you've ever wondered why Fifty Shades of Grey was such a hit--this book explains it and it's not simply because it was mommy porn. I really enjoyed this new perspective on what makes a book hit a list. A lot of the patterns had to do with key writing concepts--beat sheets, powerful verbs, active protagonists. It was refreshing to have all that writing advice reconfirmed with actual statistical proof. This book will not teach you how to write a bestseller, but it will tell you some of the hallmarks of bestsellers and it will make you think about your story from a new perspective. I highly recommend it!

I was hesitant to read this. I didn't want to believe that a machine could write a book. I wanted to believe in the magic of human creativity.After reading it, I was relieved to learn that human creativity is alive and well. But we can find patterns to improve our writing style and connect with readers on a deeper level. If you want to understand your readers better and deeper their experience of your work, read this!For readers - you may discover why you loved that special book so much!

Very interesting, but if you're a fiction writer, I'm not sure what use you can make of the knowledge imparted by this book.One of the messages of this book is that your writing style, like your DNA, is ingrained. That's why text analysis worked to uncover, for example, that "The Cuckoo's Calling" by Robert Galbraith was really written by J.K. Rowling. I take from this factoid that if your particular writing style does not happen to fall into the "bestseller style" category, you're doomed -- you're not going to write NY Times bestselling fiction no matter how hard you try.

The Bestseller Code is intriguing and full of good advice for novelists. The book itself is written like a couple of academians seeking to fulfill a publishing requirement. Most of all they don't seem to get it that their code/process could be used to charge writers to submit their current book to be analyzed and critiqued. I have three of my own books I would pay to see what their system would say.

In a book about text analysis data they don’t present a lot of data. Their main conclusion is that pacing is important. There are a few interesting side notes about the publishing industry.

This book contains quite a lot of filler to pad the results and try to make it more exciting. I'd have preferred more meat and less fluff, including more examples of reports. However, the information (once you reach it about a third into the book) is very useful and insightful.

Amazing! There are books on how to write blockbuster novels, etc. but this Bestseller Code looks at writing in a very different way. The fact that the detailed analysis of bestseller books is done by a machine is in itself amazing but let's not forget that two people knew how to input the data in the computer. When I finish reading I had a clear picture of the anatomy of a bestseller book.

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